Abstract:

During the past couple of decades the introduction of new media with emerging digital technologies has allowed for the development, design, presentation, promotion, experimentation and manufacture of three-dimensional forms in conjunction with traditional sculptural processes and materials.  Broader aesthetic issues and the historical significance of sculpture in relation to the Electronic Revolution have impacted growing numbers of sculptors worldwide.  While Digital Sculpture was a strictly grass roots endeavor during the last decade of the Twentieth Century it has evolved as an academic discipline and focus of international exhibitions